F u l l C V
S o l o E x h i b i t i o n s :
2017
Making the Invisible Visible, Staniar Gallery, Washington and Lee University, Lexington, VA
2016
Hiroshima > Nagasaki > Fukushima, Gallery G, Hiroshima, Japan
2015
Seventy Year Old Shadows of Hiroshima, Cohen Gallery, Los Angeles, CA
East to East: Maine to Japan, ICA at MECA / Institute for Contemporary Art at Maine College of Art, with Shane Smith, Portland, Maine
Hiroshima Skies, billboard project, North Carolina Museum of Art, Raleigh
70 Years After Hiroshima, Frederic Jameson Gallery, Duke University, Durham, NC
Ladders, Artifacts and Trees: Selected Works from Hiroshima, Vacant Gallery, Tokyo, Japan
2014
Heterotopias, Horace Williams House, Chapel Hill, NC
2013
Until What Has Disappeared Appears, Stephen Cohen Gallery, Los Angeles, CA
After Hiroshima, Daylight Project Space, Hillsborough, NC
2011
After Aftermath, The Former Imperial Bank, an A-Bombed building, Hiroshima, Japan
Hiroshima, Beland Galley, Essex Art Center, Lawrence, MA
2010
Aftermath, The Global Education Building, UNC, Chapel Hill, NC, with a lecture by Noam Chomsky
2009
Flags for Hiroshima, Cosign Projects, St. Louis, MO
Hiroshima: After Aftermath, curated by Cary Levine, Gallery 100, Golden Belt, Durham, NC
Flag for Hiroshima (Baghdad), Center for Documentary Studies, Durham, NC
2008
Political Posters (for the Justice Theater Project's production of Brecht's Mother Courage), Swain Hall, UNC, Chapel Hill
Culture Works Collective, Featured Online Artist of the Month, Washington, DC
2007
Oma Auma, The John Hope Franklin Center, Duke University, Durham, NC
2006
Heroice Correspondence, with Laura Sharp Wilson, Bryce's Gallery, Olympia, WA
2005
Road In Sight: Workers Dreaming, with Mel Chin, Center for Documentary Studies, Durham, NC, catalogue with an essay by Kristine Stiles
2003
Two Projects: Workers Dreaming and Mutter, Brownlee O. Currey Jr. Gallery, Watkins College of Art and Design, Nashville, TN
Workers Dreaming and Protesting Cartography, curated by Juan Puntes, presented by White Box, The Annex, New York, NY
Protesting Cartography, The John Hope Franklin Center, Duke University, Durham, NC
2001
Protesting Cartography, Women's Studies Program, UNC, Chapel Hill, NC
2000
New Frontiers IV, The Mint Museum, Charlotte, NC
Collection, Galerie Fait Sa Broc, Lyon, France
1999
Workers Dreaming, Brewhouse Space 101, Pittsburgh, PA
Bragg Murders - a violent cartography, The Modern Museum, Durham, NC
1997
Labour < > Leisure (Global Economy), Lump Gallery, Raleigh, NC
1996
mutter, The Other Gallery, Banff Centre for the Arts, Alberta, Canada
Brother, I Never Knew You (mutter), The Modern Museum, Durham NC
1995
A Retrospective, The Grove, Raleigh, NC
Pleasures of Gender, Artspace, Raleigh, NC
Inheritance, site-specific installation at old slave quarters, Wilmington, NC
List, performance/installation with Jane Marsching, Art Center, Wilmington, NC
1992
A Wall of Incoherent Dresses, curated by Danny Tisdale and Martha Wilson, Franklin Furnace, NY
Matter, The Gold Bar, New York, NY
1991
Embodiment, with Jo Spence and Heidi Kumao, curated by Angela Kelly, Randolph Street Gallery, Chicago, catalogue
G r o u p E x h i b i t i o n s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
Photo LA, Cohen Gallery booth, Los Angeles, CA
Playing in the Fukushima Forest, Tobito, Japan
Atomic Particles, Physicians for Social Responsibility, Mobius Gallery, Bothell, WA
2015
Camera Atomica, Art Gallery of Ontario, Toronto, Canada
Photography and the Scientific Spirit, curated by Alison Ferris, John Michael Kohler Arts Center, Sheboygan, WI
Photo LA, Cohen Gallery booth, Los Angeles, CA
Out of Rubble, Center for Art, Design and Visual Culture, University of Maryland Baltimore County
The Nothing That Is, curated by Bill Thelen, Contemporary Art Museum, Raleigh, NC
Photo Basel, Cohen Gallery booth, Basel, Switzerland
Hiroshima / Nagasaki 70, SAPE, Angrense Society for Ecological Protection, Angra dos Reis, Brazil
Nuclear Photographs, Concorde Hotel, Quebec City, Canada
Fall Out, Whitdel Arts, Detroit, MI
Atomic Photographers Guild, Bank of Japan, A-bombed Building, Hiroshima, Japan
Hiroshima Intersections, four artists, Gallery Ishiko-ya, Hiroshima, Japan
2014
Mt Rokko Photography Festival, Kobe, Japan
FotoFever, Photography Art Fair, Cohen Gallery booth, Carrousel du Louvre, Paris, France
Out of Rubble, UC Art Museum, Boulder, CO; Center for Art, Design and Visual Culture, University of Maryland Baltimore County; Schmucker Art Gallery, Gettysburg College, PA; Jack Olson Gallery, DeKalb, IL
Close to Home, North Carolina Museum of Art, Raleigh
State of Emergency: Disasters, VanEvery Smith Gallery, Davidson College, NC
Photo LA, Cohen Gallery booth, Los Angeles, CA
Duplicates, New Image Gallery, James Madison University, Harrisonburg, VA
Highlights, Cohen Gallery, Los Angeles, CA
Women, An Exhibition, Detroit Contemporary, MI
Faculty Art from the Big Four, Lee Hansley Gallery, Raleigh, NC
Particles on the Wall, Gallery 4500, Seattle, WA
The Swap, online exhibition curated by Stuart Pilkington, UK
Washi, Muckenthaler Cultural Center, Fullerton, CA
FotoFlic: Part Photo Project, Part High-Wire Act, The Carrack, Durham, NC
Art on Paper, Weatherspoon Art Museum, Greensboro, NC
Far Away / Nearby, Graduate Faculty Photographers at Duke and UNC, Cassilhaus, Durham, NC
Loaded Objects, curated by Chris Vitiello, The Carrack, Durham, NC
Occultisms, curated by Amani Olu and Jon Feinstein, Humble Arts Foundation, New York, NY
2013
Jeonju Photography Festival, War and Memory, curated by Hoon Jung, Jeonju, Korea
Imago Mundi, a collateral event of the Venice Biennale, Fondazione Querini Stamplalia, Italy
Out of Rubble, Harris Art Gallery, University of La Verne, CA; String Room Gallery, Wells College, Aurora, NY
99 Books About Love, Elsewhere Living Art Museum at the Ackland Museum Store, Chapel Hill, NC
Particles on the Wall, Physicians for Social Repsonsibility, Washington State University's Tri-Cities Art Center, Seattle, WA
Tiny: Attention, Exploded, curated by Chris Vitiello, The Carrack Modern Art, Durham, NC
Risk and the Landscapes of Militarization, curated by Hsuan Hsu, Rachel Carson Center for Environment and Society, Munich, Germany
Inspired by the Lens, North Carolina Museum of Art, Triangle Photography Consortium, Frank Gallery, Chapel Hill, NC
Influenced by the Sun, curated by Peter Bartlett, Cohen Gallery, Los Angeles, CA
2012
Out of Rubble, Bowling Green State University Gallery, OH; Miller Gallery, Kutztown University, PA
The Fire Does Not Go Out, Baron Gallery, Oberlin College, OH
Postcards from the Edge, A Benefit for Visual AIDS, Cheim + Read, New York, NY
Divergence: Photographs from Elsewhere, Atomic Photographers, Form Gallery, Perth, Australia
The Plastic Propaganda Poster Project, Westminster College, Salt Lake City, UT
To What Purpose? Photography as Art and Document, Weatherspoon Art Museum, Greensboro, NC
The Atomic Photographers Guild, The Rocky Flats Cold War Museum, Arvada, CO; Good Shepherd Center, Seattle, WA
Collection as Portrait, Allcott Gallery, Chapel Hill, NC
Behind the Atom Curtain, Uranium Film Festival, Rio de Janiero, Brazil
2011
Dark Matters: Shadow, Technology. Art, Whitworth Art Gallery, Manchester, UK
Offrez l'art de demain (Offer the Art of Tomorrow), URDLA, Lyon, France
The Last Book, organized by Luis Camnitzer, New York Public Library, Aguilar Branch, NY
Mirror Image: Women Portraying Women, North Carolina Museum of Art, Raleigh
No Glory, Form and Content Gallery, Minneapolis, MN
Behind the Atom Curtain: Life and Death in the Nuclear Age, the Atomic Photographers Guild, Mednick Gallery, Philadelphia, PA; Sala Terrana, Heiligenkreuzehof, Vienna, Austria
PoPuP 3, Carrack Modern Art, Durham, NC
Out of Rubble, SPACE Gallery, Pittsburgh, PA
Vedute, URDLA, Lyon, France
2010
Atomic Photographers Guild, International Physicians for the Prevention of Nuclear War Congress, University of Basel, Switzerland; Cooper Union, New York, NY
The Last Book, organized by Luis Camnitzer, Zentral Bibliothek, Zurich, Switzerland
Race, Sex, Politics, Religion: 4 things not talk about in the South, organized by Larry Jens Anderson, Space One-Eleven, Birmingham, AL; Emory Visual Arts Gallery, Atlanta, GA
Delineate: an Invitational Exhibition of Drawings, McMaster Gallery, Columbia, SC
Disco AIDS Banking, image contributor to Bill Thelen's exhibition, Vox Populi, Philadelphia, PA
Ray Johnson and A Book About Death, SAL Art Gallery, Long Island University, Brookville, NY
Deutsche Bank Americas Collection, Deutsche Bank, Raleigh, NC
PDA (Public Display of Affection), The Pride Center, Salt Lake City, UT
Artists Unite for Haiti, LoDi Project, Raleigh, NC
Face Parts, Bowbarr, Carrboro, NC
2009
Bad Moon Rising, curated by Jessica Silverman and Jan Van Woensel, Boots Contemporary Art Space, St. Louis, MO
Capitalism in Crisis, SOMArts Cultural Center, San Francisco, CA
A Book About Death, The Emily Harvey Foundation Gallery, New York, NY (sets of exhibition cards acquired by the Museum of Modern Art, NY, and the Los Angeles County Museum of Art)
2,191 Days and Counting, Iraq Veterans Against the War Benefit Exhibition, Powerhouse Arena, Brooklyn, NY
Bail Out Biennial, Golden Belt, Durham, NC
Cool, Collected and In Context, The Weatherspoon Art Museum, Greensboro, NC
Paper Politics, Ghostprint Gallery, Richmond, VA
Semaphores, image contributor to the Jordan Essoe exhibition, Ampersand International Arts, San Francisco, CA
Grassroots Cartography, Sea Change Gallery, Portland, OR
Object Journal, limited edition portfolio project, Ann Arbor, MI, and Hartford, CT
To Be or Not To Be: A Painter's Dilemma, Stedman Gallery, Rutgers University, Camden, NJ
Outside the Lines: New Directions in Drawing, A.D. Gallery, Pembroke, NC
50 States Project, curated by Stuart Pilkington, http://www.50statesproject.net/
Palingenesis, Summit Gallery, Durham, NC
2008
Uncoordinated: Mapping Cartography in Contemporary Art, curated by Claire Norwood, Contemporary Art Center, Cincinnati, OH
The Audacity of Desperation, PS 122 Gallery at DEMO Space, New York, NY; Sea and Space Explorations, Los Angeles, CA
Expressive Bodies: Contemporary Art Photography from The Kinsey Institute, Indiana University Northwest Contemporary Gallery, Gary, Indiana
Heroes, LUMP Projects, Raleigh, NC
Last Book, a project organized by Luis Camnitzer, National Library of Argentina, Buenos Aires
Viewing Program's Artist Registry, since 1995, The Drawing Center, New York, NY
Community Cartographies Convergence, Golden Belt Gallery, Durham, NC, and Global Education Building, UNC, Chapel Hill, NC
Paper Quilts, Essex Art Center, Lawrence, MA
North Carolina Fellowship Exhibition, Rocky Mount Art Center, Rocky Mount, NC
Art and Social Conscience: the Holocaust, Cameron Art Museum, Wilmington, NC
Paper Politics, Dowd Gallery, SUNY Cortland, NY; Red House Gallery, Syracuse, NY
2007
Paper Politics, K Space Contemporary, Corpus Christi, TX
The Big Picture, Contemporary Photography, North Carolina Museum of Art, Raleigh
Paper Politics, Esplanade Loft Project Gallery, Montreal, Canada; Walker's Point Center for the Arts, Milwaukee, WI; Crossman Gallery, University of Wisconsin-Whitewater
Glimpse, SACI (Studio Art Centers International), Florence, Italy
Contemporary Art Photography from The Kinsey Institute, The Indiana University School of Fine Arts Gallery in Bloomington; Herron Gallery, Indianapolis, IN
Heroes, Bryce's Barber Shop Gallery, Olympia, WA
Practicing Contemporaries, Ackland Art Museum, Chapel Hill, NC
Visual AIDS, James Cohan Gallery, New York, NY
2006
Restating Empire, curated by Deborah Paine, Gallery 110, Seattle, WA
Bunker than Thou, Bemis Underground, The Bemis Center for Contemporary Art, Omaha, NE
Crosscurrents, Mint Museum of Art, Charlotte, North Carolina, catalogue
Paper Politics, Portland State University Gallery, OR; 5+5 Gallery, Brooklyn, NY, catalogue
Racing Pages, New York Lesbian, Gay, Bisexual & Transgender Community Center, NY
Terror? Intersection for the Arts, San Francisco, CA
New Cartography, LeBot Gallery, Oakland, CA
2005
Image Arts, Amnesty International Project: "And So Forth: A Post-Inaugural Assembly," selected by Whitney Museum curators Apsara DiQuinzio and Tina Kukielski, Office Ops, Brooklyn, NY
PatriART: Artists Defend Civil Liberties, Puffin Cultural Forum, Teaneck, NJ
Paper Politics, Phinney Gallery Center, Seattle, WA
Crosscurrents, North Carolina Museum of Art, Raleigh, catalogue
Workers of the World, A Shenere Velt Gallery, Los Angeles, CA
Art / Work, Tufts University Gallery, Medford, MA
The Simnuke Project, curated by Sasha Harris-Cronin and Max Carlson, Rx Gallery, San Francisco, CA
Two for the Seesaw, curated by Bill Thelen, Branch Gallery, Carrboro, NC
2004
News from Home, curated by Moniek Voulon, The Annex, New York, NY, catalogue
Felix Variations: Artists Respond to Felix Gonzalez-Torres, curated by Meredith Talusan, Play Space, California College for the Arts, San Francisco, CA
Women in the Middle: Border, Barriers, Intersections: an exhibition of contemporary feminist art, the University of Wisconsin in Milwaukee Union Art Gallery, Milwaukee, WI
Active Duty, Armed Artists of America, curated by Lee Wells, Studio 84, Williamsburg, Brooklyn, NY
The Art of Politics, curated by Lee Wells and Nicole Dupont, Ashmore Gallery, Miami, FL
Toxic Landscapes: Artists Examine the Environment, curated by Tim Blunk and Ben Jones for the Puffin Foundation, Long Beach Island Foundation of the Arts and Sciences Art Center, Loveladies, NJ
Hall of Portraits, curated by Gary Kachadourian, Pinkard Gallery, Maryland Institute College of Art, Baltimore, MD
Bad Touch 6, Beaker Gallery, Tampa, FL
LOOM 3: Labeler, Old Label Mill, Pittsboro, NC
2003
Lost Weekend, Lump Gallery, Raleigh, NC
Tiny Works, Project Gallery, Wichita, KS
Bad Touch 4 + 5, Rose Art Museum, Boston, MA; Keith Talent Gallery, London, England
The New Normal, curated by Gerard Brown and Cheryl Harper, Borofsky Gallery, Philadelphia, PA
Violent Violence, curated by elin o'Hara slavick, Arti et Amicitiae, Amsterdam, Holland
Les Fables de la Fontaine, The Jacob Lawrence Gallery, University of Washington, Seattle; The Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, MD
2002
Art Basel / Miami, Art Positions, curated by Janet Phelps, Miami, FL
Figurative Works, curated by Olga Viso of the Hirshhorn Museum, Armory Art Center, West Palm Beach, FL, catalogue
Toxic Landscapes: Artists Examine the Environment, Reino de este Mundo International Gallery, Biblioteca Nacional Jose Marti, Havana, Cuba; The Puffin Cultural Forum, Teaneck, NJ
Some Kind of Dream, curated by Raphaela Platow, Contemporary Art Museum, Raleigh, NC, catalogue
Les Fables de la Fontaine, Exhibition Space of Temple University, Rome, Italy; Center for Art and Culture at Maryland Institute College of Art, Aix-en-Provence, France
Let Freedom Ring, curated by Elliot Blades, Page Walker Art and History Center, Cary, NC
LOOM 2, Chatham Label Mill, Pittsboro, NC
Majority Rules, organized by Tara McDowell and Letha Wilson, Free Gallery, Glasgow, Scotland
Towards Tomorrow, curated by Tammy Rae Carland, LUMP Gallery, Raleigh, NC
Dream: A Painter Looks at Photography, Squareblue Gallery, Los Angeles, CA
Coloring Words, Fotogalerie, Fringe Club, Hong Kong
Bad Touch 3, Ukrainian Institute of Modern Art, Chicago, IL
2001
New Art 2001, curated by Bill Arning, Kingston Gallery, Boston, MA
Ladyfest, Arches Theatre, Glasgow, Scotland
A Social Event Archive, Hermetic Gallery, Milwaukee, WI
Toxic Landscapes: Artists Examine the Environment, Associated Artists of Pittsburgh Gallery, PA
30 Hours of Photography, Chatenay, France
Media/Tonic, curated by Esther Millouh, Pittsburgh Filmmakers, PA
Homegrown, curated by Douglas Bohr and David Brown, SECCA, Winston-Salem, NC
Postcards to New York, Macy Gallery, New York, NY
LOOM 1, Chatham Label Mill, Pittsboro, NC
Paradise in Search of a Future, CEPA, Buffalo, NY
2000
Flesh and Blood V, John Batten Gallery, Hong Kong
Counter Productive Industries, 1926 Exhibition Space, Chicago, IL
La Trace Poiein (The Poetic Trace or the Trace of the Original), Chatenay, France
Flesh and Blood IV, 1708 Gallery, Richmond, VA, catalogue
Visual Artist Fellowship Exhibition, Weatherspoon Art Museum, Greensboro, NC
1999
Seeds of Peace, State Street Church, Portland, ME
Requiem: Living Artists Eulogize a Dying Century, curated by TABOO, Nexus Contemporary Art Center, Atlanta, GA
Flesh and Blood III, The New Gallery, Miami, FL
What Will You Miss? curated by Jane Blocker and Nancy Floyd, Georgia State University Gallery, Atlanta, GA
National Exposure, curated by Colin Westerbeck, ARC Gallery, Chicago, IL
Flesh and Blood II, Lump Gallery, Raleigh, NC
Tough and Tender, curated by Bill Thelen, Lump Gallery, Raleigh, NC
Art/Audience, curated by Jennie Moore, Green Hill Center for Art, Greensboro, NC, catalogue
Community, Oiga Gallery, Internationalist Books, Chapel Hill, NC
1998
Context, curated by Anne Raman and Gerard Brown, Nexus Foundation for Today's Art, Philadelphia, PA, catalogue
Steel, Brew House Space 101, Pittsburgh, PA
Women in the Visual Arts, Erector Square Gallery, New Haven, CT
Art of the Spirit III, Banger Theological Seminary, Portland, ME
The Human Habit, William King Arts Center, Abingdon, VA, brochure
World View, Ten Thousand Villages Gallery, Raleigh, NC
Art on Paper, curated by Amy Cappellazzo and Laura Hoptman, Weatherspoon Art Museum, Greensboro, NC, catalogue
1997
Flesh and Blood, Hewlett Gallery, Carnegie Mellon, Pittsburgh, PA, catalogue
Yellow, Lump Gallery, Raleigh, NC
Women in the Arts, curated by Susanna Coffee, Erector Square Gallery, New Haven, CT
Round Up, Rogue Art Gallery, Victoria, BC, Canada
Art of the Spirit II, Pilgrimage Gallery, Portland, ME
1996
White Columns at Green Hill, curated by Bill Arning, Green Hill Center for Art, Greensboro, NC
Artists Exhibition, curated by Donald Kuspit, Raleigh Fine Arts Society, NC
Art of the Spirit I, Pilgrimage Gallery, Portland, ME
1995
Meanwhile, Warehouse, Durham, NC
To Be Rather Than To Seem, NC Pride '95, Durham
Beacon, Studio 1 & 2, Raleigh, NC
1994
Art on Paper, Weatherspoon Art Museum, Greensboro, NC, catalogue
National Fiber Arts, curated by Annette Cowenberg, Creative Arts Guild, Dalton, GA
Female Trouble, City College Gallery, New York, NY
Revenge, site-specific installation, Chamber Gallery, New York, NY
Flash Bash, City Gallery, Raleigh, NC
1993
Wall to Wall, Tribeca 148 Gallery, New York, NY
Beyond Body, 494 Gallery, New York, NY
Fate of the Earth, Ceres Gallery, New York, NY
1992
Neurotic Art: The Return of the Repressed, Artists Space, New York, NY
Queer Bodies, Evergreen State College Gallery, Olympia, WA, brochure
1991
Crude Thinking, MWMWM Gallery, Chicago, IL, brochure
Furious Women, Furious Work, Artemisia Gallery, Chicago, IL
Small Things, Northern Illinois Gallery, Chicago, IL
1990
Evidence, Artemisia Gallery, Chicago, IL
Gigantic Women/Miniature Work, Gallery 2, Chicago, IL
Personal/Political - Sexuality Self-Defined, Gallery 2, Chicago, IL
Women Speak for Themselves, Beacon Street Gallery, Chicago, IL
Through a Mask, Darkly, Prairie Avenue Gallery, Chicago, IL
I n v i t a t i o n a l A u c t i o n s + B e n e f i t s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P u b l i c a t i o n s [ B o o k s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P u b l i c a t i o n s [ M a g a z i n e s , N e w s p a p e r s , J o u r n a l s , C a t a l o g u e s , W e b s i t e s , B l o g s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
B i b l i o g r a p h y [ B o o k s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
B i b l i o g r a p h y [ M a g a z i n e s , N e w s p a p e r s , J o u r n a l s , C a t a l o g u e s , W e b s i t e s , B l o g s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C o n f e r e n c e s + P a n e l s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
A r t i s t L e c t u r e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
A w a r d s + R e s i d e n c i e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
E d u c a t i o n :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P r o f e s s i o n a l E x p e r i e n c e / U N C , C h a p e l H i l l :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C h a i r / C u r a t o r :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C h a i r :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
F a c u l t y A d v i s o r / t o / C o m m i t t e e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
O t h e r C o m m i t t e e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C o u r s e s T a u g h t :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C u r a t o r i a l E x p e r i e n c e :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
O t h e r P r o f e s s i o n a l E x p e r i e n c e :
2015
MFA Mentor, Pacific Northwest College of Art, spring semester
Juror, Truth to Power exhibition, Pleiades Gallery, Durham, NC
Contributor, Unbound: Hidden Library, Chapel Hill, NC
Special Select Juror for the KLPA (Kuala Lumpur International Photography Award)
2014
External Review Committee External Review Committee, City College of New York (CCNY), March
Tenure Review, California College of Art, San Francisco, CA; Temple University, Philadelphia, PA
Book Signing, The Power Plant Gallery, Durhm, NC
2013
Editorial Advisory Board, Technicities: new series, Edinburgh University Press
Marc Steiner Show, Public Radio Baltimore, discussion of my book After Hiroshima, August 14
State of Things with Frank Stasio, WUNC, discussion of my book After Hiroshima, July 9; discussion about the NC State Legislature, June 10
Advisory Board, since 2006, Student Action with Farm Workers, Center for Documentary Studies, Duke University, Durham, NC
Atomic Photographers Guild, member since 2010
College Art Association, member since 1994
Contributing Writer since 2009, Daylight Magazine, http://daylightmagazine.org/blog
Selection Board, since 2009, Golden Belt Artist Studios, Durham, NC
2012
Advisory Board, Institute for the Arts and Humanities, UNC, Chapel Hill (until 2013)
Advisory Board, Elsewhere Museum, Greensboro, NC (until 2013)
Responsible for securing funding, organizing, moderating and publicizing the symposium Metamorphs: Artists Spin Science, 3 artists and 5 panelists
2011
WCHL, WCOM, Carolina Week and WUNC tv/radio interviews about the exhibition I curated, Local Histories: the Ground We Walk On
WCHL, radio panel discussion on The State of the Arts
WUNC, State of Things, radio panel discussion on Mirror Image: Women Portraying Women, an exhibition at the NCMA that includes my work
Scrapel Hill, Juror for exhibition of art made with recycled materials
WKNC, discussion of student-curated exhibition Self, Observed of student work at the NCMA
2010
Responsible for securing funding and co-sponsors, organizing and publicizing lectures by Carol Mavor, J. Morgan Puett and Bernard Faucon
2009
The Evaluator for the Standard Research Grants program of the Social Sciences and Humanities Research Council of Canada (SSHRC)
The Radio Discussion, Bail Out Biennial, with Frank Stasio, The State of Things, WUNC
2008
The Radio Discussion, “My life as an artist,” with Frank Stasio, The State of Things, WUNC
The Contributing writer, since 1998, to Art Papers, Atlanta, Georgia
2007
Summer Training Workshop, History and Practice of Documentary Photography, Student Action with Farm Workers, Warren Wilson College, Asheville, NC
Culture Works, organizing committee member, Washington DC
2006
Interdisciplinary Research Group: New Cartographies, Networks, and the Mapping of Economic Life, Cultures of Economies Working Group, University Program in Cultural Studies
Juror, PTA Reflections Program, Children’s Art Contest, Chapel Hill, NC
Promotion Review, Steven Kurtz/Critical Arts Ensemble, University of Buffalo, NY
Radio Discussion, Dick Gordon’s The Story, with John Carey, London Times literary critic
Southern Artist Registry, www.SouthernArtistry.org
2005
Regional Nominator, Creative Capital Foundation, New York, NY
Grant Reviewer, The City University of New York, NY
Tenure Review, Lamar Dodd School of Art, Athens, GA
Juror, Annual Photography Contest, The Arts Center, Carrboro, NC
2004
WUNC, Discussion with Romulus Linney about Politics and Art
Ackland Art Museum Advisory Board, 2004 – 2007
2003
Summer School, Conceptual Photography, SACI, Florence, Italy
Tenure Review, University of Buffalo, NY
2002
Contributing writer, since 2000, to The Independent Weekly, Durham, NC
Contributing writer, since 1999, to Media Reader, Chicago, Illinois
North Carolina Writers' Network, taught two “Hot Ink for Teen Writers” workshops on ‘zines
Organized and constructed a Camera Obscura with my Conceptual Photography class as part of the Alumni Sculpture Garden, as seen on Wikipedia definition of camera obscura
Interviewed British musician Billy Bragg on WXYC, UNC, Chapel Hill
2001
Co-Organized a series of five Teach-Ins in response to September 11, 2001, receiving international press
2000
Photographer for Triangle Yoga Center, Chapel Hill, NC
Tenure Review, Atlanta College of Art, GA
1999
Interviewer for the North Carolina Fellows Program
Group Facilitator, Teaching Assistant Training, Center for Teaching and Learning
1998
Group Facilitator, UNC Safe Zone Program
1997
Group Facilitator, Teaching Assistant Training, Center for Teaching and Learning
1996
Co-Organized, with Erika Simon, “Love Makes A Family - Living in Gay and Lesbian Families” Panel Discussion, Student Union, UNC, Chapel Hill
1995
Co-Sponsored the AIDS Quilt in the Great Hall on campus
1993
Assistant to Photographer Joel Sternfeld, driving across country for two months and doing research for the book On this Site
1992
Assistant to Roark Dunn, Photographer’s Representative, New York, NY
Book Store Manager, The New Museum, New York, NY
W o r k s / i n / t h e / C o l l e c t i o n s / o f :
Deutsche Bank, Frankfurt am Main, Germany
UBS Bank, Basel, Switzerland
URDLA, International Center for Printmaking and Books, Lyon, France
The National Library of France, Paris
The Art Institute of Chicago
Library of Congress, Washington DC
The North Carolina Museum of Art, Raleigh, NC
John Hope Franklin Center for Interdisciplinary and International Studies at Duke University, Durham, NC
The Law School at the University of North Carolina at Chapel Hill
Asian Studies, UNC, Chapel Hill
Diego Cortez / Partobject, New York, NY
The Kinsey Institute, Bloomington, IN
The Weatherspoon Art Gallery, University of North Carolina at Greensboro
The New York Lesbian, Gay, Bisexual, Transgender Community Center, NY
The Drawing Center, Viewing Program’s Artist Registry, New York, NY
Museum of Modern Art, Artist Files Archive, New York, NY
Luciano Benetton / Benetton Corporation, Treviso Museum, Italy
The Archive of Modern Conflict, London, UK
The Estate of Howard Zinn, Boston, MA
Sara M. Vance, SMV Media, Cincinnati, OH
Steven Leeper, Director, Hiroshima Peace Memorial Museum, Japan
CounterPunch, Petrolia, CA
Michael C. Hall, Los Angeles, CA
Daniel Solomon, Los Angeles, CA (Promised Gift to the National Gallery of Art, Washington D.C.)
Jack Thomas and Bruce Payne, New York, NY
Margaret Morgan, Los Angeles, CA
Rachel Kennison, Los Angeles, CA
Wendy Wilder Larsen, New York, NY
Cyrille Noirjean, Lyon, France
Laura Balance, Durham, NC
Carol Mavor, Manchester, England
Rebecca Frankel, New York, NY
Lisa Satterwhite, Durham, NC
Jane Marsching, Boston, MA
Geoffrey Wall, Greensboro, NC
Todd Fjelsted, Los Angeles, CA
Kenneth Sean Golden, New York, NY
Lillian Ball, New York, NY
Laura Wilson, Olympia, WA
Catherine Lutz, Providence, RI
Joel Brouwer, Tuscaloosa, AL
A.T. Stephens, Raleigh, NC
Annika Nordenskiold, Stockholm, Sweden
Christian Petr, Avignon, France
Anne Reveyrand, Lyon, France
Sylvia Watanabe, Oberlin, Ohio
James McGrath, Ninilchik, Alaska
Mary Huber Cooley, Madison, WI
Christophe Seyve, Lyon, France
Corinne Silva, Lyon, France
Peter Bartlett, Los Angeles, CA
Joseph Swinney, Los Angeles, CA
Tammy Rae Carland, Oakland, CA
Denis Wood, Raleigh, NC
Daniel Blinkoff, Los Angeles, CA
Linda Markovitz, Los Angeles, CA
Joy Drury Cox, Carrboro, NC
Grant Yarolin, Cleveland, OH
S o l o E x h i b i t i o n s :
2017
Making the Invisible Visible, Staniar Gallery, Washington and Lee University, Lexington, VA
2016
Hiroshima > Nagasaki > Fukushima, Gallery G, Hiroshima, Japan
2015
Seventy Year Old Shadows of Hiroshima, Cohen Gallery, Los Angeles, CA
East to East: Maine to Japan, ICA at MECA / Institute for Contemporary Art at Maine College of Art, with Shane Smith, Portland, Maine
Hiroshima Skies, billboard project, North Carolina Museum of Art, Raleigh
70 Years After Hiroshima, Frederic Jameson Gallery, Duke University, Durham, NC
Ladders, Artifacts and Trees: Selected Works from Hiroshima, Vacant Gallery, Tokyo, Japan
2014
Heterotopias, Horace Williams House, Chapel Hill, NC
2013
Until What Has Disappeared Appears, Stephen Cohen Gallery, Los Angeles, CA
After Hiroshima, Daylight Project Space, Hillsborough, NC
2011
After Aftermath, The Former Imperial Bank, an A-Bombed building, Hiroshima, Japan
Hiroshima, Beland Galley, Essex Art Center, Lawrence, MA
2010
Aftermath, The Global Education Building, UNC, Chapel Hill, NC, with a lecture by Noam Chomsky
2009
Flags for Hiroshima, Cosign Projects, St. Louis, MO
Hiroshima: After Aftermath, curated by Cary Levine, Gallery 100, Golden Belt, Durham, NC
Flag for Hiroshima (Baghdad), Center for Documentary Studies, Durham, NC
2008
Political Posters (for the Justice Theater Project's production of Brecht's Mother Courage), Swain Hall, UNC, Chapel Hill
Culture Works Collective, Featured Online Artist of the Month, Washington, DC
2007
Oma Auma, The John Hope Franklin Center, Duke University, Durham, NC
2006
Heroice Correspondence, with Laura Sharp Wilson, Bryce's Gallery, Olympia, WA
2005
Road In Sight: Workers Dreaming, with Mel Chin, Center for Documentary Studies, Durham, NC, catalogue with an essay by Kristine Stiles
2003
Two Projects: Workers Dreaming and Mutter, Brownlee O. Currey Jr. Gallery, Watkins College of Art and Design, Nashville, TN
Workers Dreaming and Protesting Cartography, curated by Juan Puntes, presented by White Box, The Annex, New York, NY
Protesting Cartography, The John Hope Franklin Center, Duke University, Durham, NC
2001
Protesting Cartography, Women's Studies Program, UNC, Chapel Hill, NC
2000
New Frontiers IV, The Mint Museum, Charlotte, NC
Collection, Galerie Fait Sa Broc, Lyon, France
1999
Workers Dreaming, Brewhouse Space 101, Pittsburgh, PA
Bragg Murders - a violent cartography, The Modern Museum, Durham, NC
1997
Labour < > Leisure (Global Economy), Lump Gallery, Raleigh, NC
1996
mutter, The Other Gallery, Banff Centre for the Arts, Alberta, Canada
Brother, I Never Knew You (mutter), The Modern Museum, Durham NC
1995
A Retrospective, The Grove, Raleigh, NC
Pleasures of Gender, Artspace, Raleigh, NC
Inheritance, site-specific installation at old slave quarters, Wilmington, NC
List, performance/installation with Jane Marsching, Art Center, Wilmington, NC
1992
A Wall of Incoherent Dresses, curated by Danny Tisdale and Martha Wilson, Franklin Furnace, NY
Matter, The Gold Bar, New York, NY
1991
Embodiment, with Jo Spence and Heidi Kumao, curated by Angela Kelly, Randolph Street Gallery, Chicago, catalogue
G r o u p E x h i b i t i o n s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
Photo LA, Cohen Gallery booth, Los Angeles, CA
Playing in the Fukushima Forest, Tobito, Japan
Atomic Particles, Physicians for Social Responsibility, Mobius Gallery, Bothell, WA
2015
Camera Atomica, Art Gallery of Ontario, Toronto, Canada
Photography and the Scientific Spirit, curated by Alison Ferris, John Michael Kohler Arts Center, Sheboygan, WI
Photo LA, Cohen Gallery booth, Los Angeles, CA
Out of Rubble, Center for Art, Design and Visual Culture, University of Maryland Baltimore County
The Nothing That Is, curated by Bill Thelen, Contemporary Art Museum, Raleigh, NC
Photo Basel, Cohen Gallery booth, Basel, Switzerland
Hiroshima / Nagasaki 70, SAPE, Angrense Society for Ecological Protection, Angra dos Reis, Brazil
Nuclear Photographs, Concorde Hotel, Quebec City, Canada
Fall Out, Whitdel Arts, Detroit, MI
Atomic Photographers Guild, Bank of Japan, A-bombed Building, Hiroshima, Japan
Hiroshima Intersections, four artists, Gallery Ishiko-ya, Hiroshima, Japan
2014
Mt Rokko Photography Festival, Kobe, Japan
FotoFever, Photography Art Fair, Cohen Gallery booth, Carrousel du Louvre, Paris, France
Out of Rubble, UC Art Museum, Boulder, CO; Center for Art, Design and Visual Culture, University of Maryland Baltimore County; Schmucker Art Gallery, Gettysburg College, PA; Jack Olson Gallery, DeKalb, IL
Close to Home, North Carolina Museum of Art, Raleigh
State of Emergency: Disasters, VanEvery Smith Gallery, Davidson College, NC
Photo LA, Cohen Gallery booth, Los Angeles, CA
Duplicates, New Image Gallery, James Madison University, Harrisonburg, VA
Highlights, Cohen Gallery, Los Angeles, CA
Women, An Exhibition, Detroit Contemporary, MI
Faculty Art from the Big Four, Lee Hansley Gallery, Raleigh, NC
Particles on the Wall, Gallery 4500, Seattle, WA
The Swap, online exhibition curated by Stuart Pilkington, UK
Washi, Muckenthaler Cultural Center, Fullerton, CA
FotoFlic: Part Photo Project, Part High-Wire Act, The Carrack, Durham, NC
Art on Paper, Weatherspoon Art Museum, Greensboro, NC
Far Away / Nearby, Graduate Faculty Photographers at Duke and UNC, Cassilhaus, Durham, NC
Loaded Objects, curated by Chris Vitiello, The Carrack, Durham, NC
Occultisms, curated by Amani Olu and Jon Feinstein, Humble Arts Foundation, New York, NY
2013
Jeonju Photography Festival, War and Memory, curated by Hoon Jung, Jeonju, Korea
Imago Mundi, a collateral event of the Venice Biennale, Fondazione Querini Stamplalia, Italy
Out of Rubble, Harris Art Gallery, University of La Verne, CA; String Room Gallery, Wells College, Aurora, NY
99 Books About Love, Elsewhere Living Art Museum at the Ackland Museum Store, Chapel Hill, NC
Particles on the Wall, Physicians for Social Repsonsibility, Washington State University's Tri-Cities Art Center, Seattle, WA
Tiny: Attention, Exploded, curated by Chris Vitiello, The Carrack Modern Art, Durham, NC
Risk and the Landscapes of Militarization, curated by Hsuan Hsu, Rachel Carson Center for Environment and Society, Munich, Germany
Inspired by the Lens, North Carolina Museum of Art, Triangle Photography Consortium, Frank Gallery, Chapel Hill, NC
Influenced by the Sun, curated by Peter Bartlett, Cohen Gallery, Los Angeles, CA
2012
Out of Rubble, Bowling Green State University Gallery, OH; Miller Gallery, Kutztown University, PA
The Fire Does Not Go Out, Baron Gallery, Oberlin College, OH
Postcards from the Edge, A Benefit for Visual AIDS, Cheim + Read, New York, NY
Divergence: Photographs from Elsewhere, Atomic Photographers, Form Gallery, Perth, Australia
The Plastic Propaganda Poster Project, Westminster College, Salt Lake City, UT
To What Purpose? Photography as Art and Document, Weatherspoon Art Museum, Greensboro, NC
The Atomic Photographers Guild, The Rocky Flats Cold War Museum, Arvada, CO; Good Shepherd Center, Seattle, WA
Collection as Portrait, Allcott Gallery, Chapel Hill, NC
Behind the Atom Curtain, Uranium Film Festival, Rio de Janiero, Brazil
2011
Dark Matters: Shadow, Technology. Art, Whitworth Art Gallery, Manchester, UK
Offrez l'art de demain (Offer the Art of Tomorrow), URDLA, Lyon, France
The Last Book, organized by Luis Camnitzer, New York Public Library, Aguilar Branch, NY
Mirror Image: Women Portraying Women, North Carolina Museum of Art, Raleigh
No Glory, Form and Content Gallery, Minneapolis, MN
Behind the Atom Curtain: Life and Death in the Nuclear Age, the Atomic Photographers Guild, Mednick Gallery, Philadelphia, PA; Sala Terrana, Heiligenkreuzehof, Vienna, Austria
PoPuP 3, Carrack Modern Art, Durham, NC
Out of Rubble, SPACE Gallery, Pittsburgh, PA
Vedute, URDLA, Lyon, France
2010
Atomic Photographers Guild, International Physicians for the Prevention of Nuclear War Congress, University of Basel, Switzerland; Cooper Union, New York, NY
The Last Book, organized by Luis Camnitzer, Zentral Bibliothek, Zurich, Switzerland
Race, Sex, Politics, Religion: 4 things not talk about in the South, organized by Larry Jens Anderson, Space One-Eleven, Birmingham, AL; Emory Visual Arts Gallery, Atlanta, GA
Delineate: an Invitational Exhibition of Drawings, McMaster Gallery, Columbia, SC
Disco AIDS Banking, image contributor to Bill Thelen's exhibition, Vox Populi, Philadelphia, PA
Ray Johnson and A Book About Death, SAL Art Gallery, Long Island University, Brookville, NY
Deutsche Bank Americas Collection, Deutsche Bank, Raleigh, NC
PDA (Public Display of Affection), The Pride Center, Salt Lake City, UT
Artists Unite for Haiti, LoDi Project, Raleigh, NC
Face Parts, Bowbarr, Carrboro, NC
2009
Bad Moon Rising, curated by Jessica Silverman and Jan Van Woensel, Boots Contemporary Art Space, St. Louis, MO
Capitalism in Crisis, SOMArts Cultural Center, San Francisco, CA
A Book About Death, The Emily Harvey Foundation Gallery, New York, NY (sets of exhibition cards acquired by the Museum of Modern Art, NY, and the Los Angeles County Museum of Art)
2,191 Days and Counting, Iraq Veterans Against the War Benefit Exhibition, Powerhouse Arena, Brooklyn, NY
Bail Out Biennial, Golden Belt, Durham, NC
Cool, Collected and In Context, The Weatherspoon Art Museum, Greensboro, NC
Paper Politics, Ghostprint Gallery, Richmond, VA
Semaphores, image contributor to the Jordan Essoe exhibition, Ampersand International Arts, San Francisco, CA
Grassroots Cartography, Sea Change Gallery, Portland, OR
Object Journal, limited edition portfolio project, Ann Arbor, MI, and Hartford, CT
To Be or Not To Be: A Painter's Dilemma, Stedman Gallery, Rutgers University, Camden, NJ
Outside the Lines: New Directions in Drawing, A.D. Gallery, Pembroke, NC
50 States Project, curated by Stuart Pilkington, http://www.50statesproject.net/
Palingenesis, Summit Gallery, Durham, NC
2008
Uncoordinated: Mapping Cartography in Contemporary Art, curated by Claire Norwood, Contemporary Art Center, Cincinnati, OH
The Audacity of Desperation, PS 122 Gallery at DEMO Space, New York, NY; Sea and Space Explorations, Los Angeles, CA
Expressive Bodies: Contemporary Art Photography from The Kinsey Institute, Indiana University Northwest Contemporary Gallery, Gary, Indiana
Heroes, LUMP Projects, Raleigh, NC
Last Book, a project organized by Luis Camnitzer, National Library of Argentina, Buenos Aires
Viewing Program's Artist Registry, since 1995, The Drawing Center, New York, NY
Community Cartographies Convergence, Golden Belt Gallery, Durham, NC, and Global Education Building, UNC, Chapel Hill, NC
Paper Quilts, Essex Art Center, Lawrence, MA
North Carolina Fellowship Exhibition, Rocky Mount Art Center, Rocky Mount, NC
Art and Social Conscience: the Holocaust, Cameron Art Museum, Wilmington, NC
Paper Politics, Dowd Gallery, SUNY Cortland, NY; Red House Gallery, Syracuse, NY
2007
Paper Politics, K Space Contemporary, Corpus Christi, TX
The Big Picture, Contemporary Photography, North Carolina Museum of Art, Raleigh
Paper Politics, Esplanade Loft Project Gallery, Montreal, Canada; Walker's Point Center for the Arts, Milwaukee, WI; Crossman Gallery, University of Wisconsin-Whitewater
Glimpse, SACI (Studio Art Centers International), Florence, Italy
Contemporary Art Photography from The Kinsey Institute, The Indiana University School of Fine Arts Gallery in Bloomington; Herron Gallery, Indianapolis, IN
Heroes, Bryce's Barber Shop Gallery, Olympia, WA
Practicing Contemporaries, Ackland Art Museum, Chapel Hill, NC
Visual AIDS, James Cohan Gallery, New York, NY
2006
Restating Empire, curated by Deborah Paine, Gallery 110, Seattle, WA
Bunker than Thou, Bemis Underground, The Bemis Center for Contemporary Art, Omaha, NE
Crosscurrents, Mint Museum of Art, Charlotte, North Carolina, catalogue
Paper Politics, Portland State University Gallery, OR; 5+5 Gallery, Brooklyn, NY, catalogue
Racing Pages, New York Lesbian, Gay, Bisexual & Transgender Community Center, NY
Terror? Intersection for the Arts, San Francisco, CA
New Cartography, LeBot Gallery, Oakland, CA
2005
Image Arts, Amnesty International Project: "And So Forth: A Post-Inaugural Assembly," selected by Whitney Museum curators Apsara DiQuinzio and Tina Kukielski, Office Ops, Brooklyn, NY
PatriART: Artists Defend Civil Liberties, Puffin Cultural Forum, Teaneck, NJ
Paper Politics, Phinney Gallery Center, Seattle, WA
Crosscurrents, North Carolina Museum of Art, Raleigh, catalogue
Workers of the World, A Shenere Velt Gallery, Los Angeles, CA
Art / Work, Tufts University Gallery, Medford, MA
The Simnuke Project, curated by Sasha Harris-Cronin and Max Carlson, Rx Gallery, San Francisco, CA
Two for the Seesaw, curated by Bill Thelen, Branch Gallery, Carrboro, NC
2004
News from Home, curated by Moniek Voulon, The Annex, New York, NY, catalogue
Felix Variations: Artists Respond to Felix Gonzalez-Torres, curated by Meredith Talusan, Play Space, California College for the Arts, San Francisco, CA
Women in the Middle: Border, Barriers, Intersections: an exhibition of contemporary feminist art, the University of Wisconsin in Milwaukee Union Art Gallery, Milwaukee, WI
Active Duty, Armed Artists of America, curated by Lee Wells, Studio 84, Williamsburg, Brooklyn, NY
The Art of Politics, curated by Lee Wells and Nicole Dupont, Ashmore Gallery, Miami, FL
Toxic Landscapes: Artists Examine the Environment, curated by Tim Blunk and Ben Jones for the Puffin Foundation, Long Beach Island Foundation of the Arts and Sciences Art Center, Loveladies, NJ
Hall of Portraits, curated by Gary Kachadourian, Pinkard Gallery, Maryland Institute College of Art, Baltimore, MD
Bad Touch 6, Beaker Gallery, Tampa, FL
LOOM 3: Labeler, Old Label Mill, Pittsboro, NC
2003
Lost Weekend, Lump Gallery, Raleigh, NC
Tiny Works, Project Gallery, Wichita, KS
Bad Touch 4 + 5, Rose Art Museum, Boston, MA; Keith Talent Gallery, London, England
The New Normal, curated by Gerard Brown and Cheryl Harper, Borofsky Gallery, Philadelphia, PA
Violent Violence, curated by elin o'Hara slavick, Arti et Amicitiae, Amsterdam, Holland
Les Fables de la Fontaine, The Jacob Lawrence Gallery, University of Washington, Seattle; The Meyerhoff Gallery, Maryland Institute College of Art, Baltimore, MD
2002
Art Basel / Miami, Art Positions, curated by Janet Phelps, Miami, FL
Figurative Works, curated by Olga Viso of the Hirshhorn Museum, Armory Art Center, West Palm Beach, FL, catalogue
Toxic Landscapes: Artists Examine the Environment, Reino de este Mundo International Gallery, Biblioteca Nacional Jose Marti, Havana, Cuba; The Puffin Cultural Forum, Teaneck, NJ
Some Kind of Dream, curated by Raphaela Platow, Contemporary Art Museum, Raleigh, NC, catalogue
Les Fables de la Fontaine, Exhibition Space of Temple University, Rome, Italy; Center for Art and Culture at Maryland Institute College of Art, Aix-en-Provence, France
Let Freedom Ring, curated by Elliot Blades, Page Walker Art and History Center, Cary, NC
LOOM 2, Chatham Label Mill, Pittsboro, NC
Majority Rules, organized by Tara McDowell and Letha Wilson, Free Gallery, Glasgow, Scotland
Towards Tomorrow, curated by Tammy Rae Carland, LUMP Gallery, Raleigh, NC
Dream: A Painter Looks at Photography, Squareblue Gallery, Los Angeles, CA
Coloring Words, Fotogalerie, Fringe Club, Hong Kong
Bad Touch 3, Ukrainian Institute of Modern Art, Chicago, IL
2001
New Art 2001, curated by Bill Arning, Kingston Gallery, Boston, MA
Ladyfest, Arches Theatre, Glasgow, Scotland
A Social Event Archive, Hermetic Gallery, Milwaukee, WI
Toxic Landscapes: Artists Examine the Environment, Associated Artists of Pittsburgh Gallery, PA
30 Hours of Photography, Chatenay, France
Media/Tonic, curated by Esther Millouh, Pittsburgh Filmmakers, PA
Homegrown, curated by Douglas Bohr and David Brown, SECCA, Winston-Salem, NC
Postcards to New York, Macy Gallery, New York, NY
LOOM 1, Chatham Label Mill, Pittsboro, NC
Paradise in Search of a Future, CEPA, Buffalo, NY
2000
Flesh and Blood V, John Batten Gallery, Hong Kong
Counter Productive Industries, 1926 Exhibition Space, Chicago, IL
La Trace Poiein (The Poetic Trace or the Trace of the Original), Chatenay, France
Flesh and Blood IV, 1708 Gallery, Richmond, VA, catalogue
Visual Artist Fellowship Exhibition, Weatherspoon Art Museum, Greensboro, NC
1999
Seeds of Peace, State Street Church, Portland, ME
Requiem: Living Artists Eulogize a Dying Century, curated by TABOO, Nexus Contemporary Art Center, Atlanta, GA
Flesh and Blood III, The New Gallery, Miami, FL
What Will You Miss? curated by Jane Blocker and Nancy Floyd, Georgia State University Gallery, Atlanta, GA
National Exposure, curated by Colin Westerbeck, ARC Gallery, Chicago, IL
Flesh and Blood II, Lump Gallery, Raleigh, NC
Tough and Tender, curated by Bill Thelen, Lump Gallery, Raleigh, NC
Art/Audience, curated by Jennie Moore, Green Hill Center for Art, Greensboro, NC, catalogue
Community, Oiga Gallery, Internationalist Books, Chapel Hill, NC
1998
Context, curated by Anne Raman and Gerard Brown, Nexus Foundation for Today's Art, Philadelphia, PA, catalogue
Steel, Brew House Space 101, Pittsburgh, PA
Women in the Visual Arts, Erector Square Gallery, New Haven, CT
Art of the Spirit III, Banger Theological Seminary, Portland, ME
The Human Habit, William King Arts Center, Abingdon, VA, brochure
World View, Ten Thousand Villages Gallery, Raleigh, NC
Art on Paper, curated by Amy Cappellazzo and Laura Hoptman, Weatherspoon Art Museum, Greensboro, NC, catalogue
1997
Flesh and Blood, Hewlett Gallery, Carnegie Mellon, Pittsburgh, PA, catalogue
Yellow, Lump Gallery, Raleigh, NC
Women in the Arts, curated by Susanna Coffee, Erector Square Gallery, New Haven, CT
Round Up, Rogue Art Gallery, Victoria, BC, Canada
Art of the Spirit II, Pilgrimage Gallery, Portland, ME
1996
White Columns at Green Hill, curated by Bill Arning, Green Hill Center for Art, Greensboro, NC
Artists Exhibition, curated by Donald Kuspit, Raleigh Fine Arts Society, NC
Art of the Spirit I, Pilgrimage Gallery, Portland, ME
1995
Meanwhile, Warehouse, Durham, NC
To Be Rather Than To Seem, NC Pride '95, Durham
Beacon, Studio 1 & 2, Raleigh, NC
1994
Art on Paper, Weatherspoon Art Museum, Greensboro, NC, catalogue
National Fiber Arts, curated by Annette Cowenberg, Creative Arts Guild, Dalton, GA
Female Trouble, City College Gallery, New York, NY
Revenge, site-specific installation, Chamber Gallery, New York, NY
Flash Bash, City Gallery, Raleigh, NC
1993
Wall to Wall, Tribeca 148 Gallery, New York, NY
Beyond Body, 494 Gallery, New York, NY
Fate of the Earth, Ceres Gallery, New York, NY
1992
Neurotic Art: The Return of the Repressed, Artists Space, New York, NY
Queer Bodies, Evergreen State College Gallery, Olympia, WA, brochure
1991
Crude Thinking, MWMWM Gallery, Chicago, IL, brochure
Furious Women, Furious Work, Artemisia Gallery, Chicago, IL
Small Things, Northern Illinois Gallery, Chicago, IL
1990
Evidence, Artemisia Gallery, Chicago, IL
Gigantic Women/Miniature Work, Gallery 2, Chicago, IL
Personal/Political - Sexuality Self-Defined, Gallery 2, Chicago, IL
Women Speak for Themselves, Beacon Street Gallery, Chicago, IL
Through a Mask, Darkly, Prairie Avenue Gallery, Chicago, IL
I n v i t a t i o n a l A u c t i o n s + B e n e f i t s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P u b l i c a t i o n s [ B o o k s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P u b l i c a t i o n s [ M a g a z i n e s , N e w s p a p e r s , J o u r n a l s , C a t a l o g u e s , W e b s i t e s , B l o g s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
B i b l i o g r a p h y [ B o o k s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
B i b l i o g r a p h y [ M a g a z i n e s , N e w s p a p e r s , J o u r n a l s , C a t a l o g u e s , W e b s i t e s , B l o g s ] :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C o n f e r e n c e s + P a n e l s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
A r t i s t L e c t u r e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
A w a r d s + R e s i d e n c i e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
E d u c a t i o n :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
P r o f e s s i o n a l E x p e r i e n c e / U N C , C h a p e l H i l l :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C h a i r / C u r a t o r :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C h a i r :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
F a c u l t y A d v i s o r / t o / C o m m i t t e e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
O t h e r C o m m i t t e e s :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C o u r s e s T a u g h t :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
C u r a t o r i a l E x p e r i e n c e :
2016
The Last Four Years, Cohen's Gallery closing exhibition, Los Angeles, CA
O t h e r P r o f e s s i o n a l E x p e r i e n c e :
2015
MFA Mentor, Pacific Northwest College of Art, spring semester
Juror, Truth to Power exhibition, Pleiades Gallery, Durham, NC
Contributor, Unbound: Hidden Library, Chapel Hill, NC
Special Select Juror for the KLPA (Kuala Lumpur International Photography Award)
2014
External Review Committee External Review Committee, City College of New York (CCNY), March
Tenure Review, California College of Art, San Francisco, CA; Temple University, Philadelphia, PA
Book Signing, The Power Plant Gallery, Durhm, NC
2013
Editorial Advisory Board, Technicities: new series, Edinburgh University Press
Marc Steiner Show, Public Radio Baltimore, discussion of my book After Hiroshima, August 14
State of Things with Frank Stasio, WUNC, discussion of my book After Hiroshima, July 9; discussion about the NC State Legislature, June 10
Advisory Board, since 2006, Student Action with Farm Workers, Center for Documentary Studies, Duke University, Durham, NC
Atomic Photographers Guild, member since 2010
College Art Association, member since 1994
Contributing Writer since 2009, Daylight Magazine, http://daylightmagazine.org/blog
Selection Board, since 2009, Golden Belt Artist Studios, Durham, NC
2012
Advisory Board, Institute for the Arts and Humanities, UNC, Chapel Hill (until 2013)
Advisory Board, Elsewhere Museum, Greensboro, NC (until 2013)
Responsible for securing funding, organizing, moderating and publicizing the symposium Metamorphs: Artists Spin Science, 3 artists and 5 panelists
2011
WCHL, WCOM, Carolina Week and WUNC tv/radio interviews about the exhibition I curated, Local Histories: the Ground We Walk On
WCHL, radio panel discussion on The State of the Arts
WUNC, State of Things, radio panel discussion on Mirror Image: Women Portraying Women, an exhibition at the NCMA that includes my work
Scrapel Hill, Juror for exhibition of art made with recycled materials
WKNC, discussion of student-curated exhibition Self, Observed of student work at the NCMA
2010
Responsible for securing funding and co-sponsors, organizing and publicizing lectures by Carol Mavor, J. Morgan Puett and Bernard Faucon
2009
The Evaluator for the Standard Research Grants program of the Social Sciences and Humanities Research Council of Canada (SSHRC)
The Radio Discussion, Bail Out Biennial, with Frank Stasio, The State of Things, WUNC
2008
The Radio Discussion, “My life as an artist,” with Frank Stasio, The State of Things, WUNC
The Contributing writer, since 1998, to Art Papers, Atlanta, Georgia
2007
Summer Training Workshop, History and Practice of Documentary Photography, Student Action with Farm Workers, Warren Wilson College, Asheville, NC
Culture Works, organizing committee member, Washington DC
2006
Interdisciplinary Research Group: New Cartographies, Networks, and the Mapping of Economic Life, Cultures of Economies Working Group, University Program in Cultural Studies
Juror, PTA Reflections Program, Children’s Art Contest, Chapel Hill, NC
Promotion Review, Steven Kurtz/Critical Arts Ensemble, University of Buffalo, NY
Radio Discussion, Dick Gordon’s The Story, with John Carey, London Times literary critic
Southern Artist Registry, www.SouthernArtistry.org
2005
Regional Nominator, Creative Capital Foundation, New York, NY
Grant Reviewer, The City University of New York, NY
Tenure Review, Lamar Dodd School of Art, Athens, GA
Juror, Annual Photography Contest, The Arts Center, Carrboro, NC
2004
WUNC, Discussion with Romulus Linney about Politics and Art
Ackland Art Museum Advisory Board, 2004 – 2007
2003
Summer School, Conceptual Photography, SACI, Florence, Italy
Tenure Review, University of Buffalo, NY
2002
Contributing writer, since 2000, to The Independent Weekly, Durham, NC
Contributing writer, since 1999, to Media Reader, Chicago, Illinois
North Carolina Writers' Network, taught two “Hot Ink for Teen Writers” workshops on ‘zines
Organized and constructed a Camera Obscura with my Conceptual Photography class as part of the Alumni Sculpture Garden, as seen on Wikipedia definition of camera obscura
Interviewed British musician Billy Bragg on WXYC, UNC, Chapel Hill
2001
Co-Organized a series of five Teach-Ins in response to September 11, 2001, receiving international press
2000
Photographer for Triangle Yoga Center, Chapel Hill, NC
Tenure Review, Atlanta College of Art, GA
1999
Interviewer for the North Carolina Fellows Program
Group Facilitator, Teaching Assistant Training, Center for Teaching and Learning
1998
Group Facilitator, UNC Safe Zone Program
1997
Group Facilitator, Teaching Assistant Training, Center for Teaching and Learning
1996
Co-Organized, with Erika Simon, “Love Makes A Family - Living in Gay and Lesbian Families” Panel Discussion, Student Union, UNC, Chapel Hill
1995
Co-Sponsored the AIDS Quilt in the Great Hall on campus
1993
Assistant to Photographer Joel Sternfeld, driving across country for two months and doing research for the book On this Site
1992
Assistant to Roark Dunn, Photographer’s Representative, New York, NY
Book Store Manager, The New Museum, New York, NY
W o r k s / i n / t h e / C o l l e c t i o n s / o f :
Deutsche Bank, Frankfurt am Main, Germany
UBS Bank, Basel, Switzerland
URDLA, International Center for Printmaking and Books, Lyon, France
The National Library of France, Paris
The Art Institute of Chicago
Library of Congress, Washington DC
The North Carolina Museum of Art, Raleigh, NC
John Hope Franklin Center for Interdisciplinary and International Studies at Duke University, Durham, NC
The Law School at the University of North Carolina at Chapel Hill
Asian Studies, UNC, Chapel Hill
Diego Cortez / Partobject, New York, NY
The Kinsey Institute, Bloomington, IN
The Weatherspoon Art Gallery, University of North Carolina at Greensboro
The New York Lesbian, Gay, Bisexual, Transgender Community Center, NY
The Drawing Center, Viewing Program’s Artist Registry, New York, NY
Museum of Modern Art, Artist Files Archive, New York, NY
Luciano Benetton / Benetton Corporation, Treviso Museum, Italy
The Archive of Modern Conflict, London, UK
The Estate of Howard Zinn, Boston, MA
Sara M. Vance, SMV Media, Cincinnati, OH
Steven Leeper, Director, Hiroshima Peace Memorial Museum, Japan
CounterPunch, Petrolia, CA
Michael C. Hall, Los Angeles, CA
Daniel Solomon, Los Angeles, CA (Promised Gift to the National Gallery of Art, Washington D.C.)
Jack Thomas and Bruce Payne, New York, NY
Margaret Morgan, Los Angeles, CA
Rachel Kennison, Los Angeles, CA
Wendy Wilder Larsen, New York, NY
Cyrille Noirjean, Lyon, France
Laura Balance, Durham, NC
Carol Mavor, Manchester, England
Rebecca Frankel, New York, NY
Lisa Satterwhite, Durham, NC
Jane Marsching, Boston, MA
Geoffrey Wall, Greensboro, NC
Todd Fjelsted, Los Angeles, CA
Kenneth Sean Golden, New York, NY
Lillian Ball, New York, NY
Laura Wilson, Olympia, WA
Catherine Lutz, Providence, RI
Joel Brouwer, Tuscaloosa, AL
A.T. Stephens, Raleigh, NC
Annika Nordenskiold, Stockholm, Sweden
Christian Petr, Avignon, France
Anne Reveyrand, Lyon, France
Sylvia Watanabe, Oberlin, Ohio
James McGrath, Ninilchik, Alaska
Mary Huber Cooley, Madison, WI
Christophe Seyve, Lyon, France
Corinne Silva, Lyon, France
Peter Bartlett, Los Angeles, CA
Joseph Swinney, Los Angeles, CA
Tammy Rae Carland, Oakland, CA
Denis Wood, Raleigh, NC
Daniel Blinkoff, Los Angeles, CA
Linda Markovitz, Los Angeles, CA
Joy Drury Cox, Carrboro, NC
Grant Yarolin, Cleveland, OH